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A Woman’s Life | Review

When a Potiche Ascends the Stairs: Brizé’s Winning, Textured de Maupassant Adaptation Although cinematic adaptations of French writer Guy de Maupassant still occur with some...

Septembers of Shiraz | Review

Iran, So Far Away: Blair’s Simplistic, Tedious Period Portrait of Iran One glance at the headlining cast of Septembers of Shiraz should indicate a...

Manhunter | Blu-ray Review

As far as serial killer iconicity goes, Thomas Harris’ fictional villain Hannibal Lecter has permeated the pop zeitgeist more than his most famous real-life...

Sinister 2 | Review

The Reusable Bughuul: Foy Marks a Franchise for Death The only thing effectively murdered in the utterly unnecessary and awkwardly bungled sequel to Scott Derrickson’s...

The People Under the Stairs | Blu-ray Review

Throughout a very prolific and sometimes uneven career as an incredibly notable genre filmmaker, Wes Craven’s aesthetic often grapples with issues of revenge and...

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Little Trouble Girls | Review

Circles of Perfection: Djukić Surveys the Compromises of Sexual...

La grazia | Review

The Long Goodbye: Sorrentino Returns to Familiar Remembrances of...

Interview: Arab Nassar – Once Upon a Time in Gaza

Over the course of their three feature films, Gaza-born...

Interview: Tawfeek Barhom – I’m Glad You’re Dead Now (Short)

From Tarik Selah's Boy from Heaven (2022) to the...

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