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2025 Cannes Film Festival Predictions – Cannes Premiere

After putting out our predictions for the Critics' Week, Directors' Fortnight and Un Certain Regard programmes we now look at the Cannes Premiere section....

Interview: Numan Acar – The Suitcase (short)

After more or less a solid decade of notable parts in multiple languages (most notably Fatih Akin's 2017 In the Fade), seasoned German-Turkish actor...

In the Land of Brothers | 2024 Sundance Film Festival Review

Family of Straw: Amirfazli & Ghasemi Present a Trilogy of Familial Tragedies The title, of course, is a bitter irony relating to Iran’s self-anointed nickname,...

Catch Twenty-2?: Jasmila Zbanic Embarks on “Quo Vadis, Aida: The Missing Piece”

Tucked away in German coin trade news (via the Screen Daily folks) we find a bunch of big filmmaker names receiving funds for their...

Holy Spider | Review

Thrill Crazy. Kill Crazy. God Crazy: Abbasi Tackles Brutal Reality of Women and Islamofascism “Every man shall meet what he wishes to avoid,” is the...

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Interview: Akinola Davies Jr. – My Father’s Shadow

Before he began his maiden voyage into Cannes (being...

2025 André Bazin Prize: Louise Hémon’s ‘The Girl in the Snow’ (L’Engloutie) Wins

Selected for this year's Directors' Fortnight, Louise Hémon's The...

Interview: Morad Mostafa – Aisha Can’t Fly Away

Part of a new wave of Egyptian filmmakers testing...

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