It’s back to business as usual for the main competition contenders at the 2017 Cannes Film Festival, with programmer Thierry Fremaux re-inviting a number...
Europa, Europa: Honore Eloquently Updates Ovid for Masterful, Playful Adaptation
There really isn’t a modern counterpart (even if Francois Ozon might come close) for the...
The Mind is Its Own Place: Konchalovsky Returns with a Grueling, Haunting Holocaust Triptych
In all likelihood, there will never be an end to cinematic...
The Guest Who’s Coming to Dinner: Ozon’s Period Culture Clash a Handsome, Uninvolving Production
In many ways, Francois Ozon’s output still swings jaggedly between the...