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The Forest | Review
For the Trees: Zada’s Moody Locale Squandered by Feeble Narrative
We’ve come to expect studios to unbosom their less desirable horror trinkets during the dawning...
Chimes at Midnight (1965) | Review
Sweet Creature of Bombast: Welles’ Restored Homage to Shakespeare’s Ultimate Clown
Before the world finally gets a chance to see Orson Welles’ last uncompleted film...
Criterion Collection: My Own Private Idaho| Blu-ray Review
Patching together portraits of his beloved Portland streets, bits of Shakespeare's Henry IV via Welles' tumultuous Chimes at Midnight, and vignettes of a narcoleptic vagabond hustler whose motherless anxieties...
The Conversation: To Cannes and Back
Unfortunately, this year’s main competition line-up at the Cannes Film Festival ended up being something of an easy target for jaded festival goers. An...
2015 Cannes Critics Panel: Todd Haynes’ “Carol” is Our Top Graded Film
The Price of Salt is at a market high according to our critics. While Le Film Francais have Mia Madre in the pole position and...
