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Top 100 Most Anticipated American Indie Films of 2018: #38. A.J. Edwards’ Friday’s Child

Friday’s Child “Sponging both formal technique and spiritual inflection to create a film that looks, sounds and feels like the work of Malick, yet stands...

Top 100 Most Anticipated American Indie Films of 2018: #40. Madeleine Olnek’s Wild Nights with Emily

Wild Nights with Emily There has been a lot of tinkering around on Madeleine Olnek's third outing as a filmmaker. We've been thinking this might...

2018 Sundance Film Festival Predictions: Miguel Arteta’s Duck Butter

Mostly working within the comedy film curriculum, two decades, and now eight feature films in, an habitual of the fest since presenting Star Maps...

2018 Sundance Film Festival Predictions: Michael Tully’s Don’t Leave Home

Austinite Michael Tully packed his bags this past spring, moving from the lobster rouge backdrop of Ocean City, Maryland to the Celtic green meadows...

Polina | Review

The Spurning Point: Preljocaj Does the Dance Divine with Sensible Debut Famed French choreographer Angelin Preljocaj melds his modern rhythms with a classic bildungsroman structure...

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Interview: Hédi Zardi Atlas Workshop – 2026 Marrakech Film Festival

The Atlas Workshops provide artistic and professional support to...

Possible Love | Review

Blue is the Warmest Collar: Chang-dong Prepares a Touch...

Lee Chang-dong – Possible Love

For his seventh feature film, Korean master filmmaker Lee...

Interview: Travis Knight – Wildwood

Among those that play the long game we could...

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