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Zoology | Blu-ray Review

Russian director Ivan I. Tverdovsky became an automatic name in the cult films register with his 2016 sophomore film Zoology, an allegory about a...

TIFF 2017: Anders Walter, Jens Assur & Michael Matthews World Preem in Discovery Section

And finally, along with TIFF kids and a couple of insignificant minor mods, we finally have the last wave of Toronto Int. Film Fest...

Tracking Shot: Kleber Mendonça Filho, Asghar Farhadi & Martin Scorsese Shooting in August

“Tracking Shot” is a top of month featurette here on IONCINEMA.com that looks at the projects that are moments away from lensing. With summer...

The Journey | Review

Enemies – A Love Story: Hamm Imagines Peace Treaty as Male Bonding Episode in Flaccid Bromance The reimagining of famed deliberations and clandestine alliances which...

The Square | 2017 Cannes Film Festival Review

Attenberg Follies: Ostlund’s Meta Commentary Skewers Social Contrivances Adding to a body of work which comically and obsessively examines the underbelly of human desires and...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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