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Child of God | Review

Requiem for a Cave Man: Franco’s McCarthy Adaptation Displays Growth On a similar directorial trajectory as, let’s say, Joe Swanberg, where quality vs. quantity tends...

71st Venice Film Fest: Oppenheimer, Akin, Bahrani, Andersson & Ferrara Compete for Golden Lion

Whiles the likes of Terrence Malick, Todd Haynes, Alexander Sokurov, Giorgos Lanthimos and J.C. Chandor no where to be found in the fall fest season...

Dawn of the Planet of the Apes | Review

Monkey Trouble: Reeves Get a Crack at Famed Cinematic Simian Franchise It’s kind of wild to think how much cinematic mileage (now eight films and...

Third Person | Review

World Crash: Haggis Overextends His Usual Formula Two’s company, three’s a crowd. Or so the saying goes. Further beating the interrelated/intersecting characters and multiple storyline...

Palo Alto | Review

My So Called Strife: A Coppola Debuts With a Flurry of Restless Teens Hollywood nepotism and the tableau of the teenage wasteland make for oddly...

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Queen at Sea | Review

(Get) Away From Her: Hammer Returns with Elder Ethical...

Gentle Monster | Review

The Children’s Hour: Kreutzer Poses Provocative Dilemmas The complex trappings...

Interview: Damian Kocur – La Manche | 2026 Venice Gap-Financing Market

As part of our coverage at the recent Venice...

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