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The Unknown Girl | 2016 Cannes Film Festival Review

The Guilt Trip: The Dardennes’ Add a Touch of Genre to Collective Guilt For better or worse, we already know what kind of quiet poignancy...

IONCINEPHILE of the Month: Matt Sobel’s Top Ten Films of All Time List

Have you ever wondered what are the films that inspire the next generation of visionary filmmakers? As part of our monthly IONCINEPHILE profile, we...

Criterion Collection: Two Days, One Night | Blu-ray Review:

Premiering at the 2014 Cannes Film Festival where it went home empty handed from the Jane Campion headed jury, Belgian directing duo Jean-Pierre and...

A Cannes Opener: 2016 Cannes Film Festival Predictions

A furious slew of titles in the works would seem to prophesize a robust main competition slate for Cannes 2016. Though our initial list...

Ride the Lightning: MVFF37 is Distinctly Heavy (Metal) on Awards Season Contenders

Turning an ageless 37, the Mill Valley Film Festival, which open tomorrow (runs until October. 14th), continues to beat to a tune of its own. With...

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The Testament of Ann Lee | Review

Shake It Up: Fastvold Envisions the Life’s Work of...

Interview: Amanda Seyfried – The Testament of Ann Lee

In Mona Fastvold's The Testament of Ann Lee, Amanda...

No Other Choice | Review

Slay the Competition: Chan-wook Explores the Horrors of Capitalism In...

Interview: Mona Fastvold – The Testament of Ann Lee

Her cinema deals with female interiority under constraint, isolation...

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