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Young Ahmed | Review

Stabbing Backwards: Dardennes “Beet” Misguided Youth into Submission Up until now, even the most disenfranchised personage in Dardennian cinema had at least a glimmer of...

2019 Cannes Film Festival: Mati Diop, Jessica Hausner & Céline Sciamma In Competition

Expect the unexpected. A mix of new faces and veteran filmmakers will make up the 72nd edition of the Cannes Film Festival with first works...

Top 150 Most Anticipated Foreign Films of 2019: #13. Adoration – Fabrice du Welz

Adoration Belgian provocateur Fabrice du Welz returns with Adoration, the third chapter of his celebrated Ardennes trilogy, which follows his 2004 debut Calvaire and 2014’s...

Top 150 Most Anticipated Foreign Films of 2019: #68. Dernier amour – Benoît Jacquot

Dernier amour French director Benoît Jacquot returns to period filmmaking with his 25th feature, Dernier amour (Casanova). Reuniting with Vincent Lindon, who also starred in Jacquot’s...

Tuesday Blus: Arturo Ripstein’s Time to Die, John Trengove’s The Wound, Etc.

This week’s edition of Tuesday Blus includes the following titles: The Wound (2017) – Kino Lorber / Maigret Sets a Trap (1958) – Kino Lorber...

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Interview: Lila Avilés – Cábula | 2026 Venice Gap-Financing Market

As part of our coverage at the recent Venice...

I Plant My Hand in the Garden | 2026 Venice Film Festival Review

Root Work: Taheri and Hadzija Disrupt the Symmetry There’s an...

Closure | Review

Seriousness Sensationalized: Marczak Uses a Father in Turmoil to...

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