I'd focus on Maren Ade's Everyone Else (Kent Jones wrote an essay in this month's Film Comment about this German film and comparable on-screen relationships citing Cassavetes and Bergman examples), Zhao Dayong's three hour documentary film (Ghost Town) about how China's Cultural Revolution didn't benefit everyone and (see pic) Samuel Maoz's circa 1982 film (Lebanon) which will screen at Venice, TIFF and at the Lincoln Center - not bad for a first time filmmaker!
OPENING "Up," U.S., Pete Docter, Bob Peterson CLOSING "Coco Chanel & Igor Stravinsky," France, Jan Kounen IN COMPETITION "Bright Star," Australia-U.K.-France, Jane Campion
"Spring Fever,"...
Besides finding out that Michael Haneke's next will be presented in b&w, Variety's article of the titles that we should see announced in one week's time is a basic re-dotting of the i's and recrossing of the t's. The only speculation worth mentioning comes in the shape of the special screening and/or midnight slot status which may include Werner Herzog's "Bad Lieutenant: Port of Call New Orleans" and Sam Raimi's "Drag Me to Hell".
The jury composed of Walter Carvalho, Saverio Costanzo, Irène Jacob, Jia Zhang-ke, Romuald Karmakar and Bruno Todeschini gave out a bunch of leopards on the weekend. Masahiro Kobayashi...