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Criterion Collection: The Piano Teacher | Blu-ray Review

Rare are the performers who can surpass the sadistic tendencies of an oligarchically inclined auteur, but there exists no finer example of this than...

Mademoiselle Paradis | 2017 Toronto International Film Festival Review

Paradis Regained: Albert Explores Thwarted Romantic Episode of Obscured Pianist Austrian director Barbara Albert revisits 1770s high-society Vienna in her exploration of an attraction between...

Criterion Collection: L’Argent | Blu-ray Review

In more ways than one, L’Argent, the stunning final film of Robert Bresson, (anointed ‘patron saint of cinema’), plays like an eerie prequel to...

The Conversation: Top 20 Best Films of 2017 So Far …

At the mid-way point of 2017, the usual cinematic trends continue, with the best theatrical offerings from January through June mostly festival circuit offerings...

2017 Cannes Film Festival: How the “Toni Erdmann” Snub Help Land “The Square” the Palme d’Or

When surveilling the postscript and how the Pedro led jury handed out the awards, the consensus is: job well done. However, while we were...

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Interview: Zou Jing – A Girl Unknown | 2026 Cannes Film Festival

A film project we've been tracking when the Critics'...

Interview: Federico Luis – For the Opponents | 2026 Cannes Film Festival

We discovered Argentine filmmaker Federico Luis as one of...

IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

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