Search results for: Michael Moore

Across the pond, I'm liking the sound of the new Michelle Williams' film - a take on Marilyn Monroe while on a 1957 set with Laurence Olivier to be played by Kenneth Branagh. Weinstein Co. is onboard My Week with Marilyn, which should begin shooting soon in the U.K. Andrea Arnold's Wuthering Heights still needs its Heathcliff and supporting cast. I imagine that long list is a short list by now, and that we should hear some casting news probably during TIFF with filming, at best, beginning at the very end of the month.

Joining these selections which I posted about 12 hours ago, this year's Midnight Madness is definitely heavy in U.S genre films which include Brad Anderson's not so well kept secret The Vanishing on 7th Street, James Wan's Insidious and the lesser known Stake Land from Jim Mickle.

The French sales/production company is supplying this year's Cannes fest with a trio of titles, but you might find me doing cartwheels more for a project that hasn't even began lensing in Marjane Satrapi's Waiting for Azrael.

I remember during my visit at the Cannes' 60th edition thinking to myself how Cannes is a "boys club" in relation to the count them on one hand number of female filmmakers that were invited to participate on the unique short film collection celebrating the festival. Males tend to outnumber female filmmakers in general, but at Sundance you sometimes get the sense that its an even playing field.

Have Joel and Ethan Coen followed up No Country for Old Men with another Oscar winner? A clear favorite (I've got my hand up) among the film critics and bloggers polled by IndieWIRE, A Serious Man might have a big and bright future ahead of it and as Eugene points out, "the Coens latest took top honors as Toronto’s best narrative film, finding a place on nearly every single ballot.