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2017 Cannes Film Festival: How the “Toni Erdmann” Snub Help Land “The Square” the Palme d’Or
When surveilling the postscript and how the Pedro led jury handed out the awards, the consensus is: job well done. However, while we were...
2017 Sundance Film Festival Predictions: An Introduction
While we usually associate day one in Park City with thin air, this quickly dissipates and gets replaced in the overall film output with...
Almost Christmas | Review
Do You Hear What I Hear?: Talbert’s Holiday Themed Dramedy Features Talented Cast in Contrived Scenario
One of several connotations with the popularized subgenre of...
Christine | Review
Mad as Hell: Campos Paints a Moving, Psychological Portrait of Sensational Subject
For his third and most psychologically complex feature to date, Antonio Campos presents...
2016 Cannes Critics’ Panel Day 6: Jeff Nichols Has No Fear with “Loving”
We've been in full admiration of this American indie filmmaker ever since he broke out with Shotgun Stories (Berlin Film Fest) in 2007, and confirmed his...
