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City of Tiny Lights | 2016 Toronto Int. Film Festival Review

Farewell, My Lovely: Travis Tries Urban Neo Noir in Prosaic Adaptation One gets the sense the source novel by Patrick Neate is a bit more...

Equals | Blu-ray Review

Conceptualizing the future in tangible terms tends to limit the supposed endless possibility of parameters, and this is most certainly evident in a growing...

Equals | Review

Sweet Emotion: Doremus Does Dystopia on Enjoyable, Recognizable Canvas Emotions cannot be controlled, but they also cannot be allowed to control you. At least, that...

Love | Review

Scorpio Becomes Electra: Noé's Sex Scenes from a Marriage The last time we were caught in provocateur Gaspar Noé’s crosshairs it was back in 2009...

Urban Hymn | 2015 TIFF Review

Can a Song Save Your Life?: Caton-Jones’ Modest Return to Filmmaking Scottish film director Michael Caton-Jones had a very prolific filmography in the 1990s thanks...

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Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...

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