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Paper Towns | Review

Me and Earl and the Pixie Girl: Schreier Adapts Teen Schmaltz for Sophomore Effort Director Jake Schreier takes on the saga of author John Green...

2015 Cannes Critics’ Panel Day 8 & 9: Between a Rock & a Hard R Place for Noé’s “Love”

It's only his fourth feature film, but his eighth trip to Cannes, Gaspar Noé hasn't let go of the short or long format. He...

Dolan Doubles Down: It’s Only the End of the World for Cotillard, Seydoux, Cassel, Ulliel & Nathalie Baye

Joining the ranks of filmmakers with insatiable appetites such as Michael Winterbottom, Francois Ozon and Woody Allen, Xavier Dolan doesn't take too much down...

Far From the Madding Crowd | Review

It’s All About Love: Vinterberg Revamps Hardy’s Classic Romance Inevitably, we would have seen some filmmaker tackle a revamp of Thomas Hardy’s classic 1874 novel...

2015 Sundance Film Festival Predictions: Tara Subkoff’s #Horror

This past February, there was a brief trade mention that actress Tara Subkoff would be getting behind the camera for her directorial, feature film debut...

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Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...

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