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The Chase (1966) | Blu-ray Review

One of the seminal figures in the New Hollywood movement was Arthur Penn, whose 1967 film Bonnie & Clyde not only made cinematic icons...

Sundance Institute’s 2016 Directors Lab includes: Boots Riley, Eva Vives, Pippa Bianco & Annie Silverstein

2015 Summer Screenwriter Lab fellows Frances Bodomo and Boots Riley are being joined by 2016 January Screenwriter Lab fellows Annie Silverstein, César Cervantes, Kibwe...

Kelly Reichardt’s Certain Women Leads Eric Lavallee’s 2016 Sundance Film Fest Top Ten

With a decent sized sampling of thirty-one features and several four star quality shorts viewed, my assessment of the '16 edition is as follows:...

Criterion Collection: Downhill Racer | Blu-ray Review

The Hollywood sports drama has long been an indubitable cinematic staple, albeit a genre trapped in its own particular movements and formulaic flourishes. Tendencies...

What’s Up Doc?: Pennebaker/Hegedus & Malick Voyage to the Top in November

It's been a couple months since the last edition of What's Up Doc? placed Michael Moore's surprise world premiere of Where To Invade Next at...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...

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