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In Bloom | Review

An Early Frost: Ekvtimishvili & Grob’s Debut a Memoir in Neorealism The Georgian entry for 2014’s Best Foreign Language Film, In Bloom is the directorial...

Last Vegas | Review

Hangdog Hangover: Formulaic Comedy Eschews Characterization for Product Placement Director Jon Turteltaub, whose career is bolstered by a resume of unquestionably mainstream Hollywood fare, perhaps...

Stacked 2013 Venice Edition Includes Latest Miyazaki, Ki-Duk, Ming-liang, Dolan and Frederick Wiseman

With still several films not yet announced for the behemoth Toronto Int. Film Festival,  it appears that 2013 will be a significant cross-over year...

Mining From Sunrise to Sulfurous Sunset: Where Heaven Meets Hell

It's quite unfortunate that the breathtaking clouds that fume from the depths of Kawah Ijenof, an active volcano just west of Banyuwangi, Indonesia, are...

Interview: Alex Gibney (We Steal Secrets: The Story of Wikileaks)

Just a month before Bradley Manning finally appeared before a military judge to confess that he did indeed leak thousands of sensitive military documents,...

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Love (Kjærlighet) | Review

Ain’t Nothin’ But Sex Misspelled: Haugerud Continues Quiet, Earnest...

Sister Midnight | Review

Crazy On You: Kandhari’s Strange Fantasy of Madness It’s been...

The Damned | Review

The Damned Do Cry: Minervini Details a Doomed Mission For...

Exclusive Clip: It’s Chill Vibes (for Now) in Pedro Pinho’s ‘I Only Rest In The Storm’

After premiering The Nothing Factory in the Directors' Fortnight...

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