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Best of 2014: Jordan M. Smith’s Top 20 (Picks 10-1)

#20. The Skeleton Twins #19. Obvious Child #18. A Spell To Ward Off The Darkness #17. Wild #16. 112 Weddings #15. The Vanquishing of the Witch Baba Yaga #14. Tales of...

Best of 2014: Nicholas Bell’s Top 20 (Picks 10-1)

Nicholas Bell's Top 20 films of 2014... #20. Madeleine Olnek's The Foxy Merkins #19. Damien Chazelle's Whiplash #18. Gillian Robespierre's Obvious Child #17. Jennifer Kent's The Babadook #16. Adam...

Sin City: A Dame to Kill | Review

Love the Sinner: Miller & Rodriguez Bring Back Hyperstylized Noir with Mixed Results It has been almost a decade since the visually innovative Sin...

A Long Way Down | Review

Lost in Translation: Chaumeil’s English Language Debut a Wretched Operation While his 2010 feature debut, Heartbreaker, which starred Vanessa Paradis and Romain Duris, managed to...

The Five Obstructions | DVD Review

Now over a decade since its 2003 release, Kino Lorber is releasing the Lars Von Trier and Jorgen Leth experiment/documentary The Five Obstructions in...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

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