French Canadian auteur Denis Villeneuve scores another box office hit with critically acclaimed Sicario. The rare genre item to have had a successful premiere as a...
The Company of Wolves: Villeneuve’s Superb Packaging Enhances Customary Cartel Themes
There’s much to be excited about with Sicario, the latest film from Quebecois director...
Criterion digitally restores this earlier release, a combination offering of Robert Siodmak’s 1946 film noir masterpiece The Killers paired with Don Siegel’s retro 1964...
Imitation Game: Garland’ s Compelling Debut Explores Human’s Technological Hubris
Excitingly presented and intelligently written, screenwriter Alex Garland’s directorial debut Ex Machina is certainly one...
Fox Searchlight folks have brought out their swim gear and might be getting ready for a Cannes Film Festival splash with Luca Guadagnino's highly anticipated...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.