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A Cannes Opener: 2016 Cannes Film Festival Predictions

A furious slew of titles in the works would seem to prophesize a robust main competition slate for Cannes 2016. Though our initial list...

The Girl is in Trouble | Review

Trouble in Mind: Onah’s Homage to Neo Noir an Indie Echo of Device In development for the past five years since it was initially announced,...

Bre-X Marks the Spot: Weinsteins Mining for Stephen Gaghan’s “Gold”

The movie business has a lot in common with the speculative stock market. Those that get a piece of the action early can hope for...

What We Do in the Shadows | Review

Friends Forever: Clement & Waititi’s Pleasantly Charming Vampiric Mock-Doc That immortal cinematic archetype, the vampire, has once again been commandeered into the periphery of independent...

Da Sweet Blood of Jesus | Review

S’Blood: Lee’s Facsimile of Bill Gunn an Odd Satisfaction Surprisingly, after the failure of his 2013 remake of Park Chan-wook’s Oldboy, provocateur Spike Lee’s latest,...

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The Play’s the Thing: Ambrossi & Calvo Connect the...

A Long Winter | 2026 London BFI Film Festival Review

A Gentle Thaw: Haigh’s Measured Drama is Glacial but...

Animol | 2026 London BFI Film Festival Review

Mismanaged Masculinity: Walters’ Gritty Debut Lacks Impactful Style Over...

Artificial | 2026 London BFI Film Festival Review

The End of The World as we Know it:...

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