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The Conversation: Producer Martin Gschlacht

Austrian producer Martin Gschlacht has been an active proponent of Austrian (and eventually Iranian) cinema since the late 1990s, and has quietly amassed a...

The Conversation: 2019 Cannes Film Festival Predictions

For several reasons, the 71st edition of the Cannes Film Festival was something of a slight progression, if at least for the number of...

The Lodge | 2019 Sundance Film Festival Review

You Gotta Have Faith: Severin & Fiala Mine Familial Madness in Warped Psychodrama Reexamining similar themes of the inherent madness of isolation and the potential...

Through the Looking Glass: The Top 100 Most Anticipated Foreign Films of 2020 – Picks #100 to #11

While we look forward to a plentiful 2019 as far as foreign cinema is concerned (of which we highlighted #300-151 and our countdown #150-1 to anticipate...

Top 150 Most Anticipated Foreign Films of 2019: #48. The Lodge – Veronika Franz & Severin Fiala

The Lodge Art-house commodities after their stylish 2014 debut Goodnight Mommy (read review), co-directors Veronika Franz (wife of Ulrich Seidl) and Severin Fiala scored their English...

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Strawberries (La más dulce) | 2026 Cannes Film Festival Review

Fruit on the Vine: Marrakchi Harvests Bitter Justice “We give...

Another Day (Garance) | 2026 Cannes Film Festival Review

Rosé is the Warmest Color: Herry Explores a Liver...

Moulin | 2026 Cannes Film Festival Review

Elevator the Gallows: Nemes Aims to Exhaust in Homage...

2026 Cannes Critics’ Panel: Day 5 – Na Hong-jin’s ‘Hope’

Another first time filmmaker to the competition but no...

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