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The Conversation: Last But Not Least for Cannes 2019

With the main competition and the sidebar programs all unveiled, we await news of one or potentially two last-minute titles added to the competition,...

The Conversation: Producer Martin Gschlacht

Austrian producer Martin Gschlacht has been an active proponent of Austrian (and eventually Iranian) cinema since the late 1990s, and has quietly amassed a...

The Conversation: 2019 Cannes Film Festival Predictions

For several reasons, the 71st edition of the Cannes Film Festival was something of a slight progression, if at least for the number of...

The Lodge | 2019 Sundance Film Festival Review

You Gotta Have Faith: Severin & Fiala Mine Familial Madness in Warped Psychodrama Reexamining similar themes of the inherent madness of isolation and the potential...

Through the Looking Glass: The Top 100 Most Anticipated Foreign Films of 2020 – Picks #100 to #11

While we look forward to a plentiful 2019 as far as foreign cinema is concerned (of which we highlighted #300-151 and our countdown #150-1 to anticipate...

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2027 Oscars: Austria Backs Hüller as ‘Rose’ in the Best Intl. Feature Film Category

Austria were in a bit of a pickle situation...

Train to Busan | Review

Here Comes the Train Again: Sang-ho’s Live Action Debut...

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