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Weekend Rental: In the Mood for Love

Earlier in the week, the Cannes film festival opened with Wong Kar-wai’s My Blueberry Nights,

The Sun Rises On Us All | 2025 Venice Film Festival Review

Karma Police: Misery Loves Company in Shangjun’s Dreary Love Story If love means never having to say you’re sorry, they never experienced the magnitude of...

2025 Cannes Critics’ Panel: Day 10 – Bi Gan’s ‘Resurrection’

An already acclaimed filmmaker in his own right after 2015's Kaili Blues won the Golden Leopard at the Locarno Film Festival and 2018's Long...

Lynch/Oz | Review

Follow the Celluloid Road: Philippe Explores the Magnificent Ozsessions of David Lynch The next best thing to a new David Lynch project has to be...

Are You Lonesome Tonight? | Review

Unhappy Together: Shipei Concocts Romantic Neo-noir Director Wen Shipei strikes an oddly satisfying balance between broody Neo-noir and simmering romance with his debut Are You...

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The Mastermind | Review

Thieves Like Us: Reichardt Wanders with an Inscrutable Slacker Abstract...

Alpha | Review

Turn to Stone: Ducournau Hits a Wall with Disease...

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