Get the Picture: Slaboshpitsky’s Excellent, Memorably Pronounced Debut
In a sea of derivative cinematic components, wholly original ideas seem few and far between. In a...
Horse & Carriage: The Elkabetzs’ Kafkaesque Interpretation of So-Called Sacred Institution
The third film in a trilogy examining the relationship between a husband and wife...
For What It’s Worth: Virzi’s Leftist Neo-Noir a Capitalistic Parable
Receiving its North American premiere last spring at the 2014 Tribeca Film Festival, where it...
Kens and Dolls: Wyatt Revamps Toback Prose for the Plastic Age
Working steadfastly against the success of Rupert Wyatt’s up-do of The Gambler, which was...