Technically part of the extended Sundance family when Junebug landed there in 2005, scribe Angus MacLachlan moved from screenwriting to full fledged filmmaker in...
Our snobbish attitudes towards a certain Paul Greengress film principally has to do with us holding out for Cutter Hodierne's Fishing Without Nets. The...
Once programming announcements were complete for TIFF, my thinking was that all arrows pointed to Sundance programmers gobbling up Amy Berg's new direction in...
Two documentary heads are better than one. Katy Chevigny & Ross Kauffman already have a track record with the fest, Chevigny co-directed Deadline (Sundance...
There's been a whole bunch of recent buzz happening on Sydney Freeland's directorial debut, a dramatic number that wraps the coming-of-age, teenage rebellion, queer...
Compared with other first time filmmaker peers, Travis Gutiérrez Senger's feature debut appears to have benefited from an abundance of post prod time, when admittedly,...
Not unlike Joseph Gordon-Levitt's rapport with the festival, Sundance has become a place where James Franco/RabbitBandini Productions gets to both test-drive and showcase his...
Right after he wrapped up his '13 Sundance experience, Franco, the movie industry's poetry geek, hit the brinks and commenced lensing in Los Angeles...
It wouldn't be the first time a veteran helmer with a Hollywoodized filmography cracked the line-up and seeing that he directed mainstream titles such...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.