Tag: Alain Dessauvage

Coward | 2026 Cannes Film Festival Review

Bent Knee, Limp Wrist: Dhont Explores Love at the Frontline “We have so much to say and we shall never say it,” is one of...

Small Things like These | Review

All the Small Things: Mielants Mines the Evils of Complicity “The only thing necessary for the triumph of evil is for good men to do...

Mexico 86 | 2024 Locarno Film Festival Review

Coup de Madre: Díaz Revisits Violent Turmoils with Intimate Familial Drama Director César Díaz continues his cinematic exploration of Guatemala’s brutal civil war, considered the...

Exclusive Clip: Bérénice Béjo is Fight-or-Flight in César Díaz’s Mexico 86

Winner of the prestigious Caméra d'Or in 2019 for his debut Our Mothers (we were on hand - check out our coverage) Guatemalan filmmaker...

Interview: Lukas Dhont – Close

Winner of the Grand Jury Prize (tied with Claire Denis) at this year's Cannes Film Festival, with his sophomore feature, Lukas Dhont has cemented...

Close | Review

The Children’s Hour: Dhont Explores Unspoken Realities in Masterful Drama The essence of Close, the sophomore film from Belgium’s Lukas Dhont, is akin to the...

Moffie [Video Review]

Call Me by Your Shame: Hermanus Mines Historical Trauma in Coming-of-Age Drama It’s difficult to reconcile the messiness of the past with potential issues of...

Video: Michaël R. Roskam’s Racer and the Jailbird – 2017 TIFF Post Screening Q&A

Our Tommaso Tocci caught up with Michaël R. Roskam's latest while at the Venice Film Festival calling his cinema "marked by reticence and doomed...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas...