Tag: Ann Ruark

Eddington | Review

No Country for Smart Men: Aster Satirizes the Obvious It would seem all is actually for naught in Eddington, Ari Aster’s sprawling, meandering fourth and...

Top 50 Most Anticipated American Independent Films of 2019: #41. Wash Westmoreland’s The Earthquake Bird

The Earthquake Bird A book to film project that was assembled late in 2016 and that takes place in on the cusp of the 1990's...

Top 100 Most Anticipated American Indie Films of 2018: #85. Paul Dano’s Wildlife

Wildlife We've been charting his perfs well before the likes of Reichardt and PTA brought him in as a supporting character, Paul Dano who has...

2018 Sundance Film Festival Predictions: Paul Dano’s Wildlife

Once all the "dust" settled from the Venice and TIFF program announcements, the 2017 film festival calendar hourglass pretty much confirmed that Paul Dano's...

Tracking Shot: Van Sant, Doremus, Guadagnino & Reed Morano Shooting This August

“Tracking Shot” is a monthly featurette here on IONCINEMA.com that looks at a dozen or so projects that are moments away from lensing (or...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...