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The Order | Review
December 6, 2024
Oh, Canada | Review
December 5, 2024
Nightbitch | Review
December 4, 2024
The Girl With the Needle | Review
December 3, 2024
Power Alley (Levante) | Review
December 2, 2024
American Independent Films
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Interview: Julia Verdin, William Baldwin & Xander Berkeley – Americans with No Address
November 21, 2024
Interview: Soi Cheang – Twilight of the Warriors: Walled In
November 19, 2024
Interview: Tia Kouvo – Family Time
November 19, 2024
Interview: Summer Shelton – You & I
October 15, 2024
Interview: Bernardo Britto – Omni Loop
September 20, 2024
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World Cinema Report: The Philippines – Lino Brocka Feted in Rotterdam & Berlinale + Sheron Dayoc Future Projects
March 12, 2023
World Cinema Report: Hong Kong – “To My Nineteen-Year-Old-Self” Opts out of the HKIFF Awards
March 1, 2023
World Cinema Report: Hong Kong – Most Anticipated for 2023
February 1, 2023
World Cinema Report: The Philippines – Most Anticipated for 2023
February 1, 2023
Desperately Seeking Studio: Agustina San MartÃn’s To Kill the Beast
August 30, 2022
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2024 European Film Awards: Kulumbegashvili, Delpero, Tsangari, Zürcher, Almodóvar & Mike Leigh in Second Wave
September 26, 2024
2025 Oscars Best International Film Race: Frontrunners Jacques Audiard, Walter Salles & Maura Delpero Added to Mix
September 25, 2024
FYC: Top 10 Cannes Storylines That Will Shape The Awards Race
August 26, 2024
2024 European Film Awards: Audiard, Guiraudie, Fargeat, Gomes & Rasoulof Among First Selections
August 14, 2024
2024 Oscars: Totem, The Mother of All Lies, Godland, The Zone of Interest & The Taste of Things Part of International Feature Shortlist
December 21, 2023
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The Order | Review
December 6, 2024
Oh, Canada | Review
December 5, 2024
Nightbitch | Review
December 4, 2024
The Girl With the Needle | Review
December 3, 2024
Power Alley (Levante) | Review
December 2, 2024
American Independent Films
World Cinema
Documentary Films
Interviews
IONCINEPHILE of the Month
Interview: Julia Verdin, William Baldwin & Xander Berkeley – Americans with No Address
November 21, 2024
Interview: Soi Cheang – Twilight of the Warriors: Walled In
November 19, 2024
Interview: Tia Kouvo – Family Time
November 19, 2024
Interview: Summer Shelton – You & I
October 15, 2024
Interview: Bernardo Britto – Omni Loop
September 20, 2024
American Independent
World Cinema
Documentary Film
Features
Tracking Shot
Top 3 Critics' Picks
Top 50 Future TV Binge List
Film Book Reviews
World Cinema Report
World Cinema Report: The Philippines – Lino Brocka Feted in Rotterdam & Berlinale + Sheron Dayoc Future Projects
March 12, 2023
World Cinema Report: Hong Kong – “To My Nineteen-Year-Old-Self” Opts out of the HKIFF Awards
March 1, 2023
World Cinema Report: Hong Kong – Most Anticipated for 2023
February 1, 2023
World Cinema Report: The Philippines – Most Anticipated for 2023
February 1, 2023
Desperately Seeking Studio: Agustina San MartÃn’s To Kill the Beast
August 30, 2022
IONCINEPHILE
IndieSponge TV
FYC (Awards!)
You Betcha!
2024 European Film Awards: Kulumbegashvili, Delpero, Tsangari, Zürcher, Almodóvar & Mike Leigh in Second Wave
September 26, 2024
2025 Oscars Best International Film Race: Frontrunners Jacques Audiard, Walter Salles & Maura Delpero Added to Mix
September 25, 2024
FYC: Top 10 Cannes Storylines That Will Shape The Awards Race
August 26, 2024
2024 European Film Awards: Audiard, Guiraudie, Fargeat, Gomes & Rasoulof Among First Selections
August 14, 2024
2024 Oscars: Totem, The Mother of All Lies, Godland, The Zone of Interest & The Taste of Things Part of International Feature Shortlist
December 21, 2023
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Bring Them Down | 2024 Toronto Intl. Film Festival Review
Reviews
Kevin Jagernauth
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September 10, 2024
Everybody Hurts: All Pain and No Gain in Christopher Andrews’ Debut Bring Them Down If misery loves company, then Bring Them Down is a party....
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Eric Lavallée
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December 18, 2023
Unwaveringly dedicated to a cinema of provocation, even if it may appear excessive to more sensitive viewers, auds at the Venice (and Toronto) Film...
Port Authority [Video Review]
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June 7, 2021
Category is The Realness: Lessovitz Isn’t Strictly Ballroom in Star Crossed Romance To acknowledge the formidable, everlasting impact of Jennie Livingston’s 1990 documentary Paris is...
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