Tag: Cinema of Georgia

April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in Body Horror I do not wish them to have power over men; but over themselves,”...

Interview: Tinatin Kajrishvili & Lasha Khalvashi – Citizen Saint

Premiering in competition at this year's Karlovy Film Festival, Tinatin Karishvili's third feature Citizen Saint is set in a small mining town, where a...

Blackbird Blackbird Blackberry | 2023 Cannes Film Festival Review

The End of the Affair: Naveriani Finds Love in a Hopeless Place Georgian filmmaker Elene Naveriani solidifies her gravitational pull towards examining rural social misfits...

What Do We See When We Look at the Sky? | Review

Eye See You: Koberidze Spins a Modern Fairy Tale of Distracted Perceptions Georgian director Alexandre Koberidze ascends to a sublime arthouse stature with his curious...

Dea Kulumbegashvili – Beginning [Video Interview]

One of the brighter notes in world cinema circa year one of the pandemic, Dea Kulumbegashvili's directorial debut (an official entry for Georgia for...

Beginning | Review

Carpet Burn: Kulumbegashvili Unnerves with Exacting Debut of Violence and Veneration For decades, the international presence of Georgian cinema was thanks (mostly) to the output...

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More Violence: Michel Franco’s ‘Circles’ Getting Ready for Cannes 2026?

Screen have put together 75 titles (many of which...

Interview: Albert Birney – Obex (Work in Progress)

After popular (co-signed with Kentucker Audley) feature film projects...

Young Mothers (Jeunes mères) | Review

Bonjour Tristesse: The Dardenne Bros. Explore Teenage Pregnancy In their...