Pre-pandemic, Romanian filmmaker Cristi Puiu had been working on "Hora staccato," set in May 1950 Bucharest, where police rounded up dignitaries and imprisoned them....
It Can’t Happen Here: Parvu’s Agonizing Procedural on Small Town Homophobia
For his third feature, Three Kilometers to the End of the World, Romanian director...
Hindsight, 20/20: Puiu Contemplates the Comedy of Crisis
Mercury is most definitely in retrograde for the four principal characters in MMXX, the latest foray into...
On a Racist Day You Can See Forever: Mungiu Confronts Nationalism in Fractious Drama
On the surface, R.M.N., the latest feature from Romanian New Wave...
Ollie Ollie Oligarchy: Puiu Weighs the World That Was in Long Form
For what stands as his sixth narrative feature, Malmkrog, Romanian New Wave auteur...
Lethal Weapon: Apetri’s Intricate & Unpredictable Tale of Revenge Dips into The Swamp
After tackling social realism with genre filmmaking underpinnings in Outbound, Romanian director...
If I Want to Whistle, I Whistle: Porumboiu Goes Mainstream with Neo-noir
Romanian New Wave alum Corneliu Porumboiu makes a marked departure with his latest...
Pray the Lord My Soul To Take: Sandulescu’s Poignant and Witty Meditation on Mortality
Liviu Săndulescu’s Carturan is a tale about bribery, the uncaring bureaucratic...
Time to Leave: Olteanu’s Debut Examines the Strain of Sacrifice in Studied Marital Drama
The relationship at the center of Romanian director Marius Olteanu’s carefully...
Touch All This Skin: Pintilie’s Hybrid Sexcapade Explores the Fleeting, Obscure Nature of Intimacy
With her narrative debut Touch Me Not, Romanian director Adina Pintilie...
The Passenger
Another New Romanian Wave essential, Corneliu Porumboiu borrows a moniker from Antonioni for his fifth feature, The Passenger (previously known as Gomera). A...