Premiering at the Full Frame Film Festival in 2014 with stops at notable docu-geared fests such as HotDocs, Sheffield, Traverse and CPH:DOX, 112 Weddings would...
Ramon Zürcher’s student project turned festival darling debut is an odd, wholly original work that bears little resemblance to anything of recent memory. Essentially...
Squeezed between his lavishly received, Sundance preemed docu-portrait of zoo life in Bestiaire, and Joy of Man’s Desiring, a genre blending meditation on factory...
Without prefatory contextualization, Matías Piñeiro’s dreamily conceived Viola doesn’t make a whole lot of sense. We’re dropped into the production of an all-female Argentinian...