The projects for the upcoming Venice Gap-Financing Market have been unveiled (32 feature-length fiction) and there’ll be several listed here projects that we’ll discuss...
Goodbye, First Love: Atef Explores Pangs of Passion Amidst Detached Reunification
For her sixth feature film, Germany’s Emily Atef returns to themes of circumstance...
Irgendwann werden wir uns alles erzählen
Quickly after her Cannes Un Certain Regard premiere of More Than Ever, Emily Atef moved onto her next project...
Critics' Week made their line-up public yesterday. Directors' Fortnight topper Paolo Moretti mentioned that there is one title from Asia that they are still...
Plus que jamais (More Than Ever)
Having worked on several television projects since competing for the Golden Bear at the Berlin International Film Festival with...
While we look forward to a plentiful 2019 as far as foreign cinema is concerned (of which we highlighted #300-151 and our countdown #150-1 to anticipate...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.