2022 Cannes Coverage Wrap-Up: Un Certain Regard

Date:

Un Certain Regard 2022

All the People I’ll Never Be – Davy Chou [Review]
The Blue Caftan – Maryam Touzani
Burning Days – Emin Alper
Butterfly Vision – Maksym Nakonechnyi
Corsage – Marie Kreutzer [Review]
Domingo and the Mist – Ariel Escalante Meza
Father & Soldier – Mathieu Vadepied
Godland – Hlynur Pálmason [Review]

Mubi Cannes 2022
Harka – Lotfy Nathan [Review]
Joyland – Saim Sadiq
Les Pires – Lise Akoka, Romane Gueret [Review] [Interview]
Mediterranean Fever – Maha Haj
Metronom – Alexandru Belc [Review]
Plus que jamais – Emily Atef [Review]
Plan 75 – Chie Hayakawa [Review]
Rodéo – Lola Quivoron [Review]
Sick of Myself – Kristoffer Borgli [Review]
The Silent Twins – Agnieszka Smoczyńska [Review]
The Stranger – Thomas M. Wright
War Pony – Riley Keough, Gina Gammell [Review]

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society) and AQCC (Association québécoise des critiques de cinéma).

Share post:

NEWSLETTER SIGNUP

Popular

More like this
Related

2025 Cannes Film Festival: In Alice Rohrwacher We Trust – La Chimera Director is Caméra d’or Jury of One

Italian filmmaker Alice Rohrwacher might be the most caffeinated...

The Shrouds | Review

Death Be Not Shroud: Cronenberg Hits Dead Ends in...

2025 Cannes Film Festival: Bi Gan, Lynne Ramsay, Nadav Lapid, Lucrecia Martel…Who Will Claim the Final Comp Spots?

The clock is ticking—it’s the eleventh hour. The Délégué...