Tag: François Quiqueré

Last Summer (L’Été dernier) | Review

One Deadly Summer: Breillat Agitates Another Sexual Taboo Suddenly, last summer, a successful lawyer who has it all risks throwing her life away with an...

Interview: Léa Drucker – Last Summer (L’été dernier)

She was pulled from obscurity (or non-retirement since her last feature was 2013's Abuse of Weakness) when Saïd Ben Saïd optioned the rights to...

Catherine Breillat’s L’Été dernier (Last Summer) – 2023 Cannes Critics’ Panel: Day 9

Almost a full decade away from the camera since, Catherine Breillat returns to the competition with L'Été dernier (Last Summer). This is her second...

The Damned Don’t Cry | 2022 Venice Film Festival Review

A Boy’s Best Friend is His Mother: Boulifa Explores Complex Symbiosis in Mother-Son Drama Although it’s cribbing the title of a 1950 Joan Crawford starrer,...

Maria Monge’s Treat Me Like Fire (Joueurs) | 2018 Cannes Film Festival

Where Maria Monge's Treat Me Like Fire excels is in abiding by a frenetic fuelled street film that is more steeped in fantasy, than...

The Great Man | 2014 TIFF Review

A More Accurate Title Might Have Been The “Good” or “Serviceable” Man Much like Kathryn Bigelow does with many of her works or like Jasmine...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...