Tag: Georgian Cinema

April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in Body Horror I do not wish them to have power over men; but over themselves,”...

Interview: Tinatin Kajrishvili & Lasha Khalvashi – Citizen Saint

Premiering in competition at this year's Karlovy Film Festival, Tinatin Karishvili's third feature Citizen Saint is set in a small mining town, where a...

Blackbird Blackbird Blackberry | 2023 Cannes Film Festival Review

The End of the Affair: Naveriani Finds Love in a Hopeless Place Georgian filmmaker Elene Naveriani solidifies her gravitational pull towards examining rural social misfits...

What Do We See When We Look at the Sky? | Review

Eye See You: Koberidze Spins a Modern Fairy Tale of Distracted Perceptions Georgian director Alexandre Koberidze ascends to a sublime arthouse stature with his curious...

Dea Kulumbegashvili – Beginning [Video Interview]

One of the brighter notes in world cinema circa year one of the pandemic, Dea Kulumbegashvili's directorial debut (an official entry for Georgia for...

Beginning | Review

Carpet Burn: Kulumbegashvili Unnerves with Exacting Debut of Violence and Veneration For decades, the international presence of Georgian cinema was thanks (mostly) to the output...

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Interview: Lucía Aleñar Iglesias – Forastera

Set in Mallorca, Cata's summer is drenched in sun...

The Dreamed Adventure | 2026 Cannes Film Festival Review

The Era of Men: Valeska Dredges the Darkness of...

2026 Cannes Critics’ Panel: Were Fatherland & Fjord Tops of the Fest? We Compare Grids!

Fatherland and Fjord towered above the rest on our...

The Birthday Party (Histoires de la nuit) | 2026 Cannes Film Festival Review

Bird on a Wire: The Past Haunts the Present...