Tag: Georgian Cinema

April | Review

A Vindicated Woman: Kulumbegashvili Constructs Potent, Profound Study in Body Horror I do not wish them to have power over men; but over themselves,”...

Interview: Tinatin Kajrishvili & Lasha Khalvashi – Citizen Saint

Premiering in competition at this year's Karlovy Film Festival, Tinatin Karishvili's third feature Citizen Saint is set in a small mining town, where a...

Blackbird Blackbird Blackberry | 2023 Cannes Film Festival Review

The End of the Affair: Naveriani Finds Love in a Hopeless Place Georgian filmmaker Elene Naveriani solidifies her gravitational pull towards examining rural social misfits...

What Do We See When We Look at the Sky? | Review

Eye See You: Koberidze Spins a Modern Fairy Tale of Distracted Perceptions Georgian director Alexandre Koberidze ascends to a sublime arthouse stature with his curious...

Dea Kulumbegashvili – Beginning [Video Interview]

One of the brighter notes in world cinema circa year one of the pandemic, Dea Kulumbegashvili's directorial debut (an official entry for Georgia for...

Beginning | Review

Carpet Burn: Kulumbegashvili Unnerves with Exacting Debut of Violence and Veneration For decades, the international presence of Georgian cinema was thanks (mostly) to the output...

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La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...