No Country for Black Men: Ross Reforms the Cinema with Distinctive Adaptation
In many ways, Nickel Boys, the narrative debut from director RaMell Ross,...
Begin Again: Edwards’ Satisfying Sophomore Film Utilizes Walken
Thanks to the overwhelming trend of quirk, cliché, or contrivance evident in most American indie offerings (whether...
Hocus Pocus: Allen’s Latest a Re-hash of All-Too-Familiar Themes
Returning once more to the world of psychics and magicians to inform his breezy comedic styling,...
Prognosis Negative: Robinson’s Return a Detached, Tepid Exercise
His first outing since the ill-fated 2002 film The Sum of All Fears, director Phil Alden Robinson’s...