A Touch of Minx: West Concludes Ersatz ‘Trilogy’ with a Moan
It’s an impressive endeavor to unleash three consecutive, thematically related films within the span...
After Krisha (2015), It Comes at Night (2017) and Waves (2019), American indie filmmaker Trey Edward Shults might actually be shooting from both sides...
The Pornographer Always Shoots Twice: West Taps into Grindhouse Sleaze with Backwoods Romp
It was Foucault, proponent of classifying the orgasm as a ‘little death,’...
Brink of Life: Mundruczó Hunts for the Grace in Grief with English Language Debut
One of Hungary’s most prolific arthouse auteurs of the last decade...