Tag: Hildur Guðnadóttir

Closure | 2026 Sundance Film Festival Review

Seriousness Sensationalized: Marczak Uses a Father in Turmoil to Showcase His Style The winding, seemingly endless Vistula River, the longest in Poland (and ninth longest...

Hedda | Review

Party Time: Nia DaCosta Throws A Forgettable Rager If you’ve been looking for a jazzy, ‘50s version of Saltburn, get ready to pull out your...

Joker: Folie à Deux | Review

Joke’s On Us: Phillips Composes an Empty, Boring Spectacle Kudos to Todd Phillips for forcing US audiences to be confronted with the intriguing subtitle...

Women Talking | Review

Polley's Fierce and Tender Adaptation of Miriam Toews' novel is a Stirring Exploration of Faith, Love & Survival There may not be a word in...

Tár | Review

Notes on a Scandal: Blanchett Swallows Berlin in Exceptional Psychological Drama from Field It’s been sixteen years since Todd Field’s last film, the arduous Academy...

Joker | 2019 Toronto Intl. Film Festival Review

The Day the Clown Cried: Phillips Tries to Provoke the Herd in Adult Comic Book Origin Story As another cinematic iteration of the eponymous Joker...

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La petite dernière (The Little Sister) | Review

The Lost Daughter: Herzi Passes Up Potency in Standard...

Interview: Marjane Satrapi & Vincent Paronnaud – Persepolis

The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.

Interview: Eivind Landsvik – Low Expectations | 2026 Cannes Film Festival

Exploring themes of mental health, emotional recovery, companionship, and...