Tag: Hildur Guðnadóttir

Closure | 2026 Sundance Film Festival Review

Seriousness Sensationalized: Marczak Uses a Father in Turmoil to Showcase His Style The winding, seemingly endless Vistula River, the longest in Poland (and ninth longest...

Hedda | Review

Party Time: Nia DaCosta Throws A Forgettable Rager If you’ve been looking for a jazzy, ‘50s version of Saltburn, get ready to pull out your...

Joker: Folie à Deux | Review

Joke’s On Us: Phillips Composes an Empty, Boring Spectacle Kudos to Todd Phillips for forcing US audiences to be confronted with the intriguing subtitle...

Women Talking | Review

Polley's Fierce and Tender Adaptation of Miriam Toews' novel is a Stirring Exploration of Faith, Love & Survival There may not be a word in...

Tár | Review

Notes on a Scandal: Blanchett Swallows Berlin in Exceptional Psychological Drama from Field It’s been sixteen years since Todd Field’s last film, the arduous Academy...

Joker | 2019 Toronto Intl. Film Festival Review

The Day the Clown Cried: Phillips Tries to Provoke the Herd in Adult Comic Book Origin Story As another cinematic iteration of the eponymous Joker...

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2026 Cannes Critics’ Panel: Day 9 – Javier Ambrossi & Javier Calvo’s ‘The Black Ball’

Virtual unknowns in non-Spanish speaking markets, Javier Ambrossi and...

2026 Cannes Critics’ Panel: Day 8 – Ira Sachs’ ‘The Man I Love’

He has been owning Sundance since he premiered 1996...

2026 Cannes Critics’ Panel: Day 8 – Emmanuel Marre’s ‘Notre Salut’

A relative newcomer to cinema with only the co-directed...

The Man I Love | 2026 Cannes Film Festival Review

It is Seldom That a Dream Comes True: Sachs...