The Tragedy of Privilege: Zeller’s Familial Identity Trilogy Continues with Maudlin Chapter
The highly revered and internationally renowned playwright Florian Zeller has a formidable talent...
The Son
Human Swiss army knife novelist, playwright, theatre director, screenwriter and director hit pay dirt with his directorial debut The Father (review). Among the...
A Touch of Class: Finley Explores Famed Embezzlement Scandal
Director Cory Finley revisits one of the education system’s most notorious scandals in Bad Education, an...
Bad Education
Moving from a brilliant dark comedy (Thoroughbreds) off campus mind-games to shark infested waters of the high school experience, for Cory Finley's sophomore...
The Front Runner
With Tully dropping on April 20th, we look towards Jason Reitman's eight feature film as salient, dramatical potent possible second 2018 offering...
iRobot: Blomkamp’s Latest Sentimentally Inclined Sci-Fi is Pleasantly Familiar
Sentient technological constructs and expanding the definition of what constitutes the essence of consciousness as it...
Chappie
Director: Neill Blomkamp // Writers: Neill Blomkamp, Terri Tatchell
After the unprecedented success of his debut, District 9 (2009), South African director Neill Blomkamp thankfully...
The thrill of meeting Marjane Satrapi reminded me of being 6 years old at Disney Land when I met the living, breathing Cinderella. Except Cinderella was an actress with a blond wig and Marjane is the real woman behind her autobiographical graphic novel, turned movie, “Persepolis”. The distinctive mole on her nose and her dark sultry eyes rose off the page and appeared in front of me, smoking and speaking with a French accent.