Tag: Jean-Paul Hurier

The Stranger (L’étranger) | Review

Anatomy of a Mime: Ozon Explores the Seduction of Indifference Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...

Daaaaaali! | Review

Good Golly, It’s Dali: Dupieux Dreams Surreal in Distinctive Biopic It seems surrealism’s pioneer Salvador Dali is experiencing something of a culturally concentric resurgence as...

Three Friends (Trois amies) | 2024 Venice Film Festival Review

Lyon Lies Bleeding: Mouret Explores L’amour Fou (Encore) Even for those unfamiliar with the filmography of Emmanuel Mouret, his latest film, Three Friends will unequivocally...

Les Enfants des Autres (Other People’s Children) | Review

Sex and Longing: Efira Shines in Zlotowski’s Portrait of Missed Opportunities In a celebrated tradition of quietly personal characterizations French cinema is known for, Rebecca...

Peter von Kant | Review

Save Your Tears for Another Day: Ozon Revels in the Camp Mystique of R.W. Fassbinder It’s clear François Ozon has long been obsessed with the...

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The Birthday Party (Histoires de la nuit) | 2026 Cannes Film Festival Review

Bird on a Wire: The Past Haunts the Present...

Coward | 2026 Cannes Film Festival Review

Bent Knee, Limp Wrist: Dhont Explores Love at the...

2026 Cannes Critics’ Panel: Fatherland & Fjord Rated Top Films of Cannes!

The Palme d'Or winner and the Best Director winners...

2026 Cannes Critics’ Panel: Day 10 – Léa Mysius’ ‘Histoires de la Nuit’

Léa Mysius’s cinema as to this point focused on...