Tag: Katia Wyszkop

L’étranger (The Stranger) | 2025 Venice Film Festival Review

Anatomy of a Mime: Ozon Explores the Seduction of Indifference Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...

Les Enfants des Autres (Other People’s Children) | Review

Sex and Longing: Efira Shines in Zlotowski’s Portrait of Missed Opportunities In a celebrated tradition of quietly personal characterizations French cinema is known for, Rebecca...

A Radiant Girl (Une jeune fille qui va bien) | Review

Games of Hate & Chance: Kiberlain Curates Characterization with Tragic Wartime Portrait In the eye of a swiftly gathering storm in the summer of 1942,...

Peter von Kant | Review

Save Your Tears for Another Day: Ozon Revels in the Camp Mystique of R.W. Fassbinder It’s clear François Ozon has long been obsessed with the...

Golden Youth | 2019 International Film Festival Rotterdam Review

Youth Without Youth: Ionesco Waxes and Wavers on Partying at Le Palace Writer-director Eva Ionesco returns to semi-autobiographical inspiration for her sophomore film Golden Youth...

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Interview: Jihan K. – My Father and Qaddafi

Selected Out of Competition for the Venice Film Festival,...

Interview: Eva Victor – Sorry, Baby

Eva Victor’s Sorry, Baby is a sharply observed, emotionally...

Interview: Óliver Laxe – Sirāt

In his debut You Are All Captains (2010), Óliver...

The Secret Agent | Review

Mischief, Thou Art Afoot: Filho Captivates with Seductive, Furtive...