Tag: Katia Wyszkop

The Stranger (L’étranger) | Review

Anatomy of a Mime: Ozon Explores the Seduction of Indifference Decades before Hannah Arendt introduced her concept of ‘the banality of evil,’ Albert Camus...

Les Enfants des Autres (Other People’s Children) | Review

Sex and Longing: Efira Shines in Zlotowski’s Portrait of Missed Opportunities In a celebrated tradition of quietly personal characterizations French cinema is known for, Rebecca...

A Radiant Girl (Une jeune fille qui va bien) | Review

Games of Hate & Chance: Kiberlain Curates Characterization with Tragic Wartime Portrait In the eye of a swiftly gathering storm in the summer of 1942,...

Peter von Kant | Review

Save Your Tears for Another Day: Ozon Revels in the Camp Mystique of R.W. Fassbinder It’s clear François Ozon has long been obsessed with the...

Golden Youth | 2019 International Film Festival Rotterdam Review

Youth Without Youth: Ionesco Waxes and Wavers on Partying at Le Palace Writer-director Eva Ionesco returns to semi-autobiographical inspiration for her sophomore film Golden Youth...

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Central Park Deprive: Janicza Bravo to Direct True Crime Media Frenzied ‘Preppy’

Known for her discomfort and absurdity brand of comedy,...

Jouhatsu Junction: Humanist Vampire… Helmer Ariane Louis-Seize Picking ‘Cherry Blossoms’

Telefilm Canada have put some sizeable coin towards a...

2027 Oscars: Japan (not France) Submits Hamaguchi’s ‘All of a Sudden’ in International Feature Race

Canada submits Berlinale winner Nina Roza by Geneviève Dulude-de...