Tag: Léonor Serraille

2025 Berlinale: Linklater, Hadžihalilović, Sangsoo, Gabriel Mascaro, Michel Franco, Vivian Qu & Mary Bronstein in Comp

Nineteen features in competition, Artistic Director Tricia Tuttle loaded up on some mainstay auteurs with the likes of Richard Linklater, Michel Franco, Hong Sangsoo,...

2023 IFFR: First Wave Titles Include Charlotte Wells’ “Aftersun” & Alice Diop’s “Saint Omer”

As per usual, IFFR likes to drop a sampling of confirmed titles just before the official line-up unveiling (namely the Tiger Competition on December...

2022 Cannes Coverage Wrap-Up: Competition

Armageddon Time - James Gray Boy from Heaven - Tarik Saleh Broker - Hirokazu Kore-eda Frère et sœur - Arnaud Desplechin Close - Lukas...

Un petit frère (Mother and Son) | 2022 Cannes Film Festival Review

Life in Rouen: Serraille Stacks Perspectives in Muted Tale of Immigration and Identity After taking home the Camera d’Or for her 2017 feature Jeune Femme,...

2022 Cannes Critics’ Panel: Day 11 – Léonor Serraille’s Mother and Son (Un petit frère)

And the last film in competition is another sophomore feature film. Léonor Serraille of course won the Camera d'Or for Jeune Femme (aka Montparnasse...

2022 Cannes Film Festival Predictions – Un Certain Regard

Hovering around the eighteen to twenty film selection range, the Un Certain Regard section wasn't necessarily overhauled but there was an unofficial memo that...

Top 100 Most Anticipated Foreign Films of 2022: #40. Léonor Serraille’s Un petit frère

Un petit frère Catapulted onto the film scene when her feature debut film Jeune Femme (aka Montparnasse Bienvenüe) was first selected for the Un Certain...

Montparnasse Bienvenue (Jeune Femme) | 2017 BFI London Film Festival Review

Wander Woman: Serraille’s Tantalizing Tale of Wayward Independence Upon breaking up with her former lover, a youthful woman roams the streets of Paris with a...

Video: Léonor Serraille’s Jeune femme (Montparnasse-Bienvenüe) – Camera d’Or Winner

The most fiercest battle on the Croisette is for the Camera d’Or - the best debut film that extends to all sections of the...

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Interview: Natalia León – Como si la tierra se las hubiera tragado (2025 Sundance Short)

A touching, sober, political and poignant text on femicide,...