2022 Cannes Coverage Wrap-Up: Competition

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Armageddon Time – James Gray [Review]
Boy from Heaven – Tarik Saleh [Review]
Broker – Hirokazu Kore-eda [Review]
Frère et sœur – Arnaud Desplechin [Review]
Close – Lukas Dhont [Review]
Crimes of the Future – David Cronenberg [Review]
Decision to Leave – Park Chan-wook [Review]
The Eight Mountains – Charlotte Vandermeersch, Felix van Groeningen [Review]
Eo – Jerzy Skolimowski [Review]
Les Amandiers – Valeria Bruni Tedeschi [Review]

Mubi Cannes 2022
Holy Spider – Ali Abbasi [Review]
Leila’s Brothers – Saeed Roustayi [Review]
Un petit frère – Léonor Serraille [Review]
Nostalgia – Mario Martone [Review]
Pacifiction – Albert Serra [Review]
R.M.N. – Cristian Mungiu [Review]
Showing Up – Kelly Reichardt [Review]
Stars at Noon – Claire Denis [Review]
Tchaikovsky’s Wife – Kirill Serebrennikov [Review]
Tori et Lokita – Jean-Pierre and Luc Dardenne [Review]
Triangle of Sadness – Ruben Östlund [Review]

Eric Lavallée
Eric Lavalléehttps://www.ericlavallee.com
Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at IONCINEMA.com, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). He is a Golden Globes Voter, member of the ICS (International Cinephile Society), FIPRESCI and AQCC (Association québécoise des critiques de cinéma).

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