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Ruben Östlund Triangle of Sadness

Film Festivals

2022 Cannes Coverage Wrap-Up: Competition

2022 Cannes Coverage Wrap-Up: Competition

Armageddon Time – James Gray [Review]
Boy from Heaven – Tarik Saleh [Review]
Broker – Hirokazu Kore-eda [Review]
Frère et sœur – Arnaud Desplechin [Review]
Close – Lukas Dhont [Review]
Crimes of the Future – David Cronenberg [Review]
Decision to Leave – Park Chan-wook [Review]
The Eight Mountains – Charlotte Vandermeersch, Felix van Groeningen [Review]
Eo – Jerzy Skolimowski [Review]
Les Amandiers – Valeria Bruni Tedeschi [Review]

Mubi Cannes 2022
Holy Spider – Ali Abbasi [Review]
Leila’s Brothers – Saeed Roustayi [Review]
Un petit frère – Léonor Serraille [Review]
Nostalgia – Mario Martone [Review]
Pacifiction – Albert Serra [Review]
R.M.N. – Cristian Mungiu [Review]
Showing Up – Kelly Reichardt [Review]
Stars at Noon – Claire Denis [Review]
Tchaikovsky’s Wife – Kirill Serebrennikov [Review]
Tori et Lokita – Jean-Pierre and Luc Dardenne [Review]
Triangle of Sadness – Ruben Östlund [Review]

Eric Lavallée is the founder, CEO, editor-in-chief, film journalist, and critic at, established in 2000. A regular at Sundance, Cannes, and Venice, Eric holds a BFA in film studies from the Mel Hoppenheim School of Cinema. In 2013, he served on the narrative competition jury at the SXSW Film Festival. He was an associate producer on Mark Jackson’s "This Teacher" (2018 LA Film Festival, 2018 BFI London). In 2022, he was a New Flesh Juror for Best First Feature at the Fantasia International Film Festival. Current top films for 2023 include The Zone of Interest (Glazer), Inside the Yellow Cocoon Shell (Pham Thien An), Totem (Lila Avilés), La Chimera (Alice Rohrwacher), All Dirt Roads Taste of Salt (Raven Jackson).

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