Tag: Leto

Interview: Irina Starshenbaum – Kirill Serebrennikov’s Leto | 2018 Cannes Film Festival

Two years after premiering an overtly political film in The Student (Un Certain Regard 2016), the gifted Russian filmmaker Kirill Serebrennikov returns to the...

The Conversation: Best Foreign Language Oscar Contenders

While we’ve yet to see what will take home the Golden Lion out of Venice this September, many of the contenders for what will...

Leto | 2018 Cannes Film Festival Review

Goodbye Lenin: Serebrennikov’s Vibrant Time Capsule More than a Feeling Russian director Kirill Serebrennikov’s on-going house-arrest in Moscow lends his latest film, the period piece...

2018 Cannes Critics’ Panel: Day 3 – Kirill Serebrennikov’s Summer (Leto)

Sadly, under house-arrest since post-production, Kirill Serebrennikov, the Russian stage, film director, and theatre designer would have loved the Croisette reaction to Summer (aka Leto). Following...

Live from Cannes: 2018 Cannes Critics’ Panel – Meet the Jury!

Celebrating our seventh year, for the 71st edition of Cannes, we decided to switch things up for our Cannes Critics' Panel. First, we expanded...

The Conversation: Nicholas Bell’s Top 10 Most Anticipated 2018 Cannes Films

Time will surely tell if Cannes 2018 is as truly daring as it thinks its competition line-up is, sporting nine directors (nearly half of...

The Conversation – Cannes Predictions V: Jia Zhangke & Kirill Serebrennikov Lead the Far East

Cannes 2017 had a strong crop of Russian titles on hand, and several 2018 possibilities could be poised for entry in this year’s program....

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Titanic Ocean | 2026 Cannes Film Festival Review

Deep Sea, Baby: Kotzamani Goes Down Where It’s Wetter Greek...

2026 Cannes Critics’ Panel: Day 7 – Pedro Almodóvar’s ‘Bitter Christmas’

The only title to have had its world premiere...

Minotaur | 2026 Cannes Film Festival Review

The Cranes Aren’t Flying: Zvyagintsev Unleashes Primordial Tendencies “They always...

2026 Cannes Critics’ Panel: Day 7 – Andrey Zvyagintsev’s ‘Minotaur’

We nearly lost this master filmmaker during the Covid...