Tag: Natasha Lyonne
2024 Gothams: Sean Baker’s Anora Lands Four Noms; Payal Kapadia & RaMell Ross in the Mix
The notoriously unpredictable and always confusing Gotham Awards revealed their nominations for the upcoming 34th gala, with Sean Baker’s Anora leading the pack. Anora...
Irresistible | Review
Elephant Walk: Stewart Dulls the Sting of Political Campaigning Hypocrisy with Broad Satire
The trick of a successful satire is to highlight stupidity or hypocrisy...
2019 Sundance Film Festival Predictions: #33. Alma Har’el – Honey Boy
A fruitful creative collab that began with a music vid for Sigur Rós and added support for her sophomore film LoveTrue, Alma Har’el and...
2016 Sundance Film Festival Predictions: Kevin Smith’s Yoga Hosers
Having launched into a life of filmmaking with a seminal Sundance more than two decades back with Clerks (1994), while Park City is sacred...
#Horror | Review
As You “Like” It: Subkoff Finds the Sound and the Shrillness in Social Media
Actress Tara Subkoff makes her directorial debut with #Horror, a film...
Addicted to Fresno | Review
But I’m a Sex Addict: Babbitt Returns to Dark Comedy with Mixed Results
Though the film rests rather comfortably on the shoulders of its talented...
Sleeping with Other People | Review
Other People’s Mousetraps: Headland Heads to Romcom
One of the most acerbically hilarious new voices in the American indie world is writer/director Leslye Headland, whose...
DuVall, Interrupted: Lynskey, Lyonne, Shawkat & Smulders Join Thesp’s Directorial Debut
While not all that unusual in a country such as France, we can add the name of Clea DuVall to the stream of under 40 actresses...
2015 Sundance Film Festival Predictions: Leslye Headland’s Sleeping with Other People
It was an admirable modest hit prior to leaving Park City in 2012, but who knew that Leslye Headland's feature debut would turn into a...
2015 Sundance Film Festival Predictions: Tara Subkoff’s #Horror
This past February, there was a brief trade mention that actress Tara Subkoff would be getting behind the camera for her directorial, feature film debut...
