Tag: Neil Maskell

2022 TIFF: Bill Pohlad, Laura Mora & Steve Buscemi Among the 10 Industry Selects

One Un Certain Regard selected film (Lotfy Nathan's Harka), four films headed to Venice (Arian Vazirdaftari's Without Her, Bill Pohlad's Dreamin’ Wild, Steve Buscemi's...

Bull | Review

All the Rage: Williams Returns with a (Familiar) Vengeance After a decade working in television, British director Paul Andrew Williams finally returns to narrative filmmaking...

Red, White and Blue | Review

A Bridge Too Far: McQueen Explores the Inherent Sacrifice of Community Service in Straightforward Drama With Red, White and Blue, the third film in Steve...

Happy New Year, Colin Burstead | 2018 Intl. Film Festival & Awards Macao Review

New Year’s Evil: Wheatley Finds Humanity Amid Caustic Bickering Shapeshifting his way along a varied filmography, Ben Wheatley is back after the tongue-in-cheek gunplay bonanza...

Video Interview: Ben Wheatley – Happy New Year, Colin Burstead. | 2018 Intl. Film Festival & Awards Macao

Very much an eclectic, but at the same time cultivating a recognizable brand of cinema, Ben Wheatley is keeping busy these days with his...

Hyena | Review

Scavenger’s Song: Johnson’s Chilling, Stylized Sophomore Feature Opening with a brooding, atmospheric ambience as we drift through a throbbing drug bust set to an...

Open Windows | Review

Peeping Tom: Vigalondo’s Virtual Voyeurism Thriller Too Wrapped Up in Tech In the barest possible sense, Nacho Vigalondo’s latest film, Open Windows, can perhaps be...

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La cocina | Review

Soap Kitchen: Ruizpalacios Underwhelms & Over Bakes Food Drama Making...

Bonjour Tristesse | Review

Lifestyles of the Rich, Conflicted & Coddled: Dull Vacation...

Most People Die on Sundays | Review

A Month of Sundays: Said Squeezes Magic Out of...

The Scary House | 2025 Udine Far East Film Festival Review

Watanabe Smarter Than Ghosts, but The Scary House Had...