One Un Certain Regard selected film (Lotfy Nathan's Harka), four films headed to Venice (Arian Vazirdaftari's Without Her, Bill Pohlad's Dreamin’ Wild, Steve Buscemi's...
All the Rage: Williams Returns with a (Familiar) Vengeance
After a decade working in television, British director Paul Andrew Williams finally returns to narrative filmmaking...
A Bridge Too Far: McQueen Explores the Inherent Sacrifice of Community Service in Straightforward Drama
With Red, White and Blue, the third film in Steve...
New Year’s Evil: Wheatley Finds Humanity Amid Caustic Bickering
Shapeshifting his way along a varied filmography, Ben Wheatley is back after the tongue-in-cheek gunplay bonanza...
Scavenger’s Song: Johnson’s Chilling, Stylized Sophomore Feature
Opening with a brooding, atmospheric ambience as we drift through a throbbing drug bust set to an...
Peeping Tom: Vigalondo’s Virtual Voyeurism Thriller Too Wrapped Up in Tech
In the barest possible sense, Nacho Vigalondo’s latest film, Open Windows, can perhaps be...