Tag: Olivier Goinard

The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas Bungles Political Espionage Of the many significant issues severely hobbling The Wizard of the Kremlin, the...

The Quiet Son (Jouer avec le feu) | 2024 Venice Film Festival Review

Father Knows Best: The Coulin Sisters Examine the Detrimental Ripples of Fascism With their third feature, The Quiet Son, French directing duo Delphine and Muriel...

Foreign Tongue (Langue étrangère) | 2024 Berlin Intl. Film Festival Review

Tongues Untied: Love Lies Easy in Burger’s Cross Culture Coming of Age Drama There’s a lot going on in Claire Burger’s third film, Foreign Tongue...

Love Life | Review

Love the One You’re With: Fukada Explores Love and Death as Unhappy Accidents The instability of romance is the only real given in the intimate...

Un beau matin (One Fine Morning) | Review

All the Mornings in the World: Seydoux Burns Bright in Hansen-Love’s Moving Drama Hannah Arendt succinctly remarked on the inference between 'doing' and 'understanding' in...

3 Hearts | Review

Heart to Heart to Heart: Jacquot’s Romantic Drama Can’t Cover Every Angle Despite sporting the likes of Charlotte Gainsbourg and Catherine Deneuve, 3 Hearts, the...

High Society | 2014 TIFF Review

Is There More to this Coming-of-Age Parable Than Meets the Eye? One of the key specificities about the production of Julie Lopes Curval’s latest exploration...

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Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi

Fresh off the acclaimed Berlinale premiere of his third...

No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’

Following its Un Certain Regard premiere at Cannes, Manuela...

Two Prosecutors | Review

Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A...

2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin

Some Cannes Film Festival alumni in Kira Kovalenko, Monia...