Tag: Ryuichi Sakamoto

Monster | Review

The Children’s Hour: Kore-eda Crafts a Melodramatic Puzzle Returning to his native Japan after venturing out to France and South Korea with his last two...

Kore-eda Hirokazu’s Monster – 2023 Cannes Critics’ Panel: Day 1

We begin the competition with one of many Palme d'Or winners who are looking to possibly add a second or in the case of...

Top 200 Most Anticipated Foreign Films of 2023: #35. Hirokazu Kore-eda’s Kaibutsu

Kaibutsu Broker filmmaker Hirokazu Kore-eda has been in creative overdrive working on both a series (Makanai: Cooking for the Maiko House) and what was an...

Minamata | Review

Man with a Movie Camera: Levitas Aims for Noble Rendering of Horrific Toxic Waste Contamination You’ve heard it before---corporate greed and government corruption colluding to...

Top 150 Most Anticipated Foreign Films of 2020: #124. Born to Be Murdered – Ferdinando Cito Filomarino

Born to Be Murdered Italy’s Ferdinando Cito Filomarino (great nephew of Luchino Visconti) looks set for an international breakout with sophomore feature Born to Be...

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2026 Cannes Critics’ Panel: Day 7 – Andrey Zvyagintsev’s ‘Minotaur’

We nearly lost this master filmmaker during the Covid...

Her Private Hell | 2026 Cannes Film Festival Review

What Have They Done to Your Daughters?: Refn Returns...

Fjord | 2026 Cannes Film Festival Review

Uncanny Valley: Mungiu Explores Liberated Prisons Totalitarian mentality is driven...

Six Months in a Pink and Blue Building | 2026 Cannes Film Festival Review

Years We Fell Apart: Razo Resurrects the Final Throes...