Tag: Sébastien Buchmann

Interview: Jessica Palud – Being Maria

In 2018, political journalist and writer Vanessa Schneider released Tu t'appelais Maria Schneider (My Cousin Maria Schneider), a deeply personal memoir exploring the turbulent...

Being Maria | Review

Forever Noor: Palud’s Schneider Moves From Being a Passenger to Just Saying Non Since the advent of cinema, it’s been standard operating procedure for the...

Ari | 2025 Berlin Intl. Film Festival Review

Murmur of the Heart: Serraille Conquers Indifference Through Sincerity With her third feature, Ari, director Léonor Serraille confirms a clear pattern of interest in exploring...

Petite Solange | Review

Bonjour Tristesse: Ropert Explores Rude Awakenings in Tender Coming-of-Age Portrait “What am I doing in this world?” wrote Paul Verlaine in his classic poem “The...

Don Juan | 2022 Cannes Film Festival Review

A Woman is a Woman: Bozon Invokes the Eternal Seducer in Eccentric Musical Much like Casanova, the name Don Juan has become a euphemism for...

Top 100 Most Anticipated Foreign Films of 2022: #55. Mikhaël Hers’ Les passagers de la nuit

Les passagers de la nuit (Night Birds) His film festival bingo card includes Locarno (2010's Memory Lane), Rotterdam (2016's This Summer Feeling), and Venice (2018's...

Amanda | 2019 Rendez-Vous with French Cinema Review

Be Kind Unwind: Radiant Performances Buoy Hers Powerful Drama Unless we’re talking about heist films, preparedness is often a trait lacking in protagonists and when...

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2026 Cannes Critics’ Panel: Were Fatherland & Fjord Tops of the Fest? We Compare Grids!

Fatherland and Fjord towered above the rest on our...

The Birthday Party (Histoires de la nuit) | 2026 Cannes Film Festival Review

Bird on a Wire: The Past Haunts the Present...

Coward | 2026 Cannes Film Festival Review

Bent Knee, Limp Wrist: Dhont Explores Love at the...

2026 Cannes Critics’ Panel: Fatherland & Fjord Rated Top Films of Cannes!

The Palme d'Or winner and the Best Director winners...