Tag: THE LIGHTHOUSE

Interview: Producer Jay Van Hoy | 2019 American Film Festival in Wroclaw (Indie Star Award)

A quiet but influential presence in the North-American indie scene, producer Jay Van Hoy has built an impressive filmography since he started Parts &...

2019 TIFF: Fest Lands World Preems to Cretton, Crowley, Finley, Heller, Kurzel, Iannucci, Waititi & Winterbottom

Confirming what will show at Telluride and Venice, the 2019 edition of the Toronto Intl.Film Festival has managed to land several World Preem and...

The Conversation: The Best of Cannes 2019

Zombies. The Undead. Reincarnation. These were some of the central themes and motifs displayed throughout an alarming amount of films in the 2019 official...

The Conversation: Nicholas Bell’s Top Ten Most Anticipated Titles of Cannes 2019

It’s that time of year again, and the 72nd edition of the Cannes Film Festival is about to begin. If last year’s main competition...

2019 Cannes: Zlotowski, Bonello, Takashi Miike, Robert Eggers, Lav Diaz & Guadagnino in Fortnight

We waited for the other shoe to drop and this year's Directors' Fortnight is chockfull of directorial films with six of the twenty-three (twenty-four...

The Conversation: 2019 Cannes Film Festival Predictions

For several reasons, the 71st edition of the Cannes Film Festival was something of a slight progression, if at least for the number of...

Through the Looking Glass – the Top 50 American Indie Films of 2019: Picks #50 to #11

It's never too early to look into the distant future. Last week, our Nicholas Bell took a look past the 2018 calendar with Through the...

Draft Day, A Country of Strangers & Rodham Top the 2012 Black List

There is either a couple of football fans or Jerry Maguire/Moneyball with this year's most liked unproduced screenplay. Close to 300 hundred film executives...

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IONCINEPHILE of the Month: Lucia Aleñar Iglesias (Forastera)

IONCINEMA.com’s IONCINEPHILE of the Month highlights an emerging talent...

Interview: Lucía Aleñar Iglesias, Zoe Stein & Agnès Pique Corbera – Forastera (2025)

Long before Bergman’s Persona undertook its psychological and existential...

Renoir | Review

Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in...

The Wizard of the Kremlin | Review

The Russians Are Killing the Russians Are Killing: Assayas...