In a Child’s Name: Ben Hania’s Grueling Portrait of Genocide
It’s the responsibility of artists to use their platforms as a mechanism to speak truth...
Buliana Simon Shines In Gritty Immigrant Story That Struggles To Take Flight
As the opening credits reveal, Aisha Can’t Fly was developed with the support...
The Dead Don’t Die: Slim Sets Adrift in Tedious Metaphors
For his third feature film, Agora, Tunisian director Ala Eddine Slim continues in the realm...
Return of the Soldier: Joobeur Explores Ghosts of War
Matriarchs confronted by their radicalized children have slowly and painstaking formed a cinematic subgenre of...
Death in the Garden: Chebbi Debuts Eerie, Nuanced Murder Mystery
In a supremely frightening sense, the events transpiring in Ashkal (which means ‘shapes’ in Arabic) recalls...
A small gem from this year's Director’s Fortnight has been gaining a lot of traction with film festival wins, certification as Tunisia’s Oscar submission...
Body Talk: Ben Hania’s Troubled and Troubling Portrait of Sexual Assaul
Perfectly encapsulating, perhaps to the heights of exaggeration and exploitation, why victims of sexual...